Monday, July 19, 2010

"Best Friends", 10x8 - Demonstration

"Best Friends", 8x10 oil on linen
Completed painting

Recently I realized that it would be a lot more efficient to be posting to one blog rather than both the blogs that I presently have in progress.  If you've visited my 'demonstration' blog lately you'll see that it's been very sadly neglected.  I've also decided it would be fun to re-post the demos here before I totally dismantle it, beginning with 'Best Friends'. 

STEP #1
Step 1: I try to approach each painting with a fresh approach in mind and not by formula. So, in this little painting (10x8), I've begun on a white oil primed linen surface, rather than a toned one, which I've stretched myself onto stretcher bars. With a large bristle brush, using my medium of choice, maroger, I block in the lights and darks of my concept not being concerned about drawing at this point, just placing my figures in their space on my canvas. This is done quickly. It's difficult to get coverage on a slippery oil primed surface, but I like this....I keep the darks airy and don't worry about the brushstrokes showing. All of this creates possibilities from which to work with. I let this stage dry overnight and can hardly wait to begin laying in pieces of paint tomorrow!

STEP #2

Step 2: As you can see, I have refined my dark areas. As I mentioned in step 1, it's tough to get coverage on a slippery surface such as oil primed linen, so today I concentrate on creating those dark areas. With a little dry paint now on the canvas, it's easier to work. Also, I begin to lay in color using a larger brush, without worrying about drawing. My aim at this point is to stay with my original concept for this painting. I want to set these little girls into a circle of focus. Everything else in the painting is secondary. This is a lot of stuff in a tiny painting and so my goal is to try to minimize detail in the outer areas of the girls' figures and in so doing, hopefully make this confined space that the girls are in, appear as if it is in a very large space. Does that makes sense? Their faces remain in shadow....this is fun to paint....the mere gesture of these little girls tells the complete story. I am aiming for simplicity and hope to achieve that in the design of light and shadow that I've created. Keeping the distant landscape simple, I use it to add some color and direct the eye to the heads.



                                                                           STEP #3
Step 3: Continuing to lay in pieces of paint, color as well as non-color, created by bringing the background color into the figures, creating their forms. Their faces are simply pieces of paint created with single, unaltered brushstrokes. I try to lay in the lights in an impasto fashion and not disturb the paint quality. I'm constantly pushing and pulling values...either making areas darker (keeping them thin) or areas brighter or lighter (impasto). This is so much fun!


STEP #4
Step 4: And the whole process continues. I endeavor to not lose sight of my original design and concept. Pushing the lights and de-emphasizing the areas that are unimportant, the area surrounding the girls. The landscape in the background is brightened and the paint quality thicker as I use this area to complete my original concept and design.


                                                        STEP #5 - Completed Painting


Completed Painting: "Best Friends", oil on linen, 10x8 A little more refining, brightening whites, more color, adjusting the background and the little painting is done. 

CLICK ON ANY IMAGE TO MAKE IT LARGER

Thursday, July 8, 2010

"Model Break", 10x14, oil on linen

"Model Break", 10x14, oil on linen

Painting from life is especially satisfying, particularly painting the figure . Painting the figure has been my passion since I was a little girl ... I've just never been able to as often as I'd like.

It's been wonderful to have Natasha sit for me the past weeks.   I look forward to Tuesdays, knowing that she will join me in my studio when I get so engrossed in painting that the time just flies by.

Click on the image to enlarge....

Wednesday, June 30, 2010

"Natasha" - completed painting, 16x12, oil on linen

"Natasha", 16x12, oil on linen

Here is the completed painting of Natasha.  My buddy, professional photographer Geoff Williams, photographed the painting for me.  He always does such a nice job.

To see the image larger, click on the image - use your browser 'back' button to get back to the blog.


Sunday, June 27, 2010

"NATASHA" - work in progress

                                         
"Natasha", 16x12, oil on linen, work in progress

                                       
"Natasha", 16x12, oil on linen, work in progress
                                         
"Natasha" - detail

I'd like you to meet Natasha. Natasha is the lovely friend of my daughter Danica, who has graciously agreed to sit for me in my studio one day a week for the past number of weeks. In addition to being a beautiful model, Natasha is great company.

Figurative painting has been a passion for me since I was a little girl drawing all the important people in my life. While I've managed to paint a few portraits and figures each year, in the last few years I've decided to get more serious about it. Since I paint from life, it can sometimes be a bit problematic finding someone willing to sit for me for the hours required to complete a painting. (I have many unfinished paintings in my studio, as a result.) In addition, being so accustomed to painting from life I've found that when using a photo I'm unhappy with the results.

This painting was done from a photo taken of Natasha during a life session and supported by numerous painted studies. I began this small painting with the idea of doing a 1/2 hour quick study from the photo, wiping it clean and beginning again with the same idea. My friend, artist Liz Wiltzen, encouraged me to try this, in order to approach painting from the photo as if I was painting from life. Liz has lots of great ideas and this sounded like a winner.

This particular morning saw me at my studio with this idea in mind. I grabbed a fresh canvas - untoned, gave it a quick wash of burnt umber and ultramarine blue, barely discernible from the photo, and enthusiastically began. Well, I must confess, 1/2 hour turned into an hour and pretty soon into an hour and I was having so much fun that before I knew it, I'd devoted the whole day to this painting. As I told Liz later, it was just too much fun to wipe off as suddenly it felt like I wasn't using a photograph at all. Mission accomplished!

In addition to working from the photo with hopeful results, I was able to paint 'alla prima', attempting to finish things as I went (Alla prima comes from Italian, literally meaning "at once".)

So, the moral of the story is...paint from a photo as if you're painting from life - with gusto, and follow Liz' exercise advice.

Natasha and others will continue to sit for me each week. Truly, painting from life is where progress and growth lies - and that's all that truly matters.

This painting is now complete and I will post a photo of the completed painting in a few days.




















Friday, March 12, 2010

"Petite Pitcher" - Daily #10

"Petite Pitcher", oil on panel, 8 x 6

I have such an assortment of vases and vessels in my studio - it's a candy store for the still life painter.  The great thing about doing these little 'dailies' is having the opportunity to paint anything I want.  I've had my eye on this little pitcher but not had the opportunity to do it justice with my brush, until now.  The floral pattern has almost worn off over time and many years of handling.

This painting is available at Art Country Canada Gallery

"Mac" - Daily #9

"Mac", oil on panel, 6 x 6 inches

I love painting little round Mac apples!   There is just something indescribable about putting pieces of paint on a surface to create such simple beauty.

This was the demo that I painted at my "Painting Dailies" workshop a few weeks ago.   I wasn't able to finish it in the few minutes that I did the demonstration but I did go back to it a few days later and this is the end result.

The workshop was a huge success and participants managed to complete as many as 4 'Dailies' in the 2-day-workshop, working from life.   I was truly impressed!  In addition, everyone learned how to prepare and prime panels for their 'dailies', as well as en plein air painting.

This painting is available for purchase at Art Country Canada Gallery


"Ochre Vase" - Daily #8

"Daily" -  "Ochre Vase", oil on panel, 6 x 6 inches

This tiny ochre vase has made an appearance in several of my larger works so far.  I love its colour and its beautiful little shape.

For my recent "Painting Dailies" workshop, I prepared a bunch of panels for the participants and for my own use.   This is one of them.   I found working on the smooth acrylic primed panel a little different from my linen... a change of surface is always fun!

This painting is available at Art Country Canada Gallery